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But despite this he remained a true fan of the cinema, and even if upon rifling through the Guide you found out that he hated all of your favourite films (which was pretty likely if they had been made in the previous twenty years), you could at least be enthused by his glowing reviews of The Grapes of Wrath and Singin’ in the Rain and The Bride of Frankenstein and hundreds of others. You also couldn’t fail to be impressed by the meticulous research that must have gone into the retrieval of information on 16,000 productions, in an age without any similar printed works, or the internet. Halliwell’s Film Guide continues to be published to the present day, but with the addition of a different author and the revision of existing entries, gone forever is the unique personality of the book, which was for seven editions not only a vast mine of information, but also a remarkably consistent collection of opinions, intelligent observations and affection for a bygone age. So please have a look around this site, and explore the life and work of the greatest cinema aficionado of them all. I shall endeavour along the way to keep my own opinions to a minimum, but the very fact that I bothered at all should at least give some clue as to where my cinema sentiments lie. Any comments, suggestions and corrections can be sent to halliwellsguide@yahoo.co.uk. |
| For information about Leslie Halliwell’s life and work, and for a list of his books which are mostly now out of print, see Biography and Bibliography. LH edited seven editions of the Guide, and for a look at how each one changed from the previous ones see A Brief History of the Guide, with Editions giving the details of each publication. For an amusing trawl through some of Halliwell’s best ‘worst’ reviews, see Favourite Reviews, and for his opinions on more recent movies he liked and disliked, see Modern Times. As mentioned previously, four stars was the highest rating Halliwell could give. For a complete list of the four-star films and how they evolved throughout the seven editions, see The Four-Star Films. The entries here also link to a Four-Star History of the Cinema, which puts each movie in its historical context, as well as providing a platform for comments and memories byLeslie Halliwell, gleaned from sources other than his Film Guide. If you've ever wondered what Halliwell's top ten favourite movies were, see Top Tens. For more on the general downturn of the Guide since Halliwell’s day, see the section Old vs New, which includes examples of the kind of sloppy inconsistency his book was thankfully free from. My own introduction to the Guide came in 1986. For my personal experiences and recollections, see My Guide. For a full slant on LH’s opinions on the film industry in the eighties, as opposed to the halcyon days of the thirties and forties, see the essay The Decline and Fall of the Movie. For an entertaining and revealing journey through one of LH's favourite genres, see Universal Monster Movies.
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